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STACEY WARNIX

@staceywarnix

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About

Stacey Warnix is an American lyrical abstraction painter who uses gestural methods to create large-scale, color-forward paintings. Her practice explores the experiential affect of nuanced color and scale, employing disparate materials and dimensional layering to subtly shift the perception, light reflectivity, and luminosity of gestural fields of color. •• Introduced young to representational oil painting by an artist grandmother, Stacey was an active creator through her formative years, but ultimately pursued a career in law and finance, working in California and London before moving to Texas, where she started painting again. •• Stacey experimented with gestural abstraction and became enamored with the process as a meditative escape, finding respite in abstract forms, textures, and tones. She builds color with extensive layering of transparent washes which intersect to yield nuanced color and nonfigurative form. Her palette selections reference time-worn, hazy memories of light-filled vistas along the California coastline, Europe, and the Texas Hill Country – the places that shaped her.

Artist Statement

As a lyrical abstractionist, I create large-scale, color-forward paintings, building atmosphere and emotional resonance through fluid gestures, intuitive marks, and layered fields of color and light. Working mainly across gestural abstraction, but also color field and assemblage, my practice leverages the experiential affect of nuanced color and immersive scale. •• Following an impromptu return to painting in 2017, I became enamored with the process of action painting as a meditative escape and the respite I discovered in abstract forms, textures, and tones. My compositions often evoke impressions of deconstructed landscapes, but rather than depicting specific places, my paintings evoke the emotional, hazy residue of remembered spaces — a nostalgic feeling of familiarity that defies clear recollection. Working from an intersection of memory and emotion, my work invites others to share in moments of pause, reflection, and quiet emotional connection. •• I ground my paintings on raw, unprimed textiles. The nubby, imperfect, and unpredictable surface texture forces me to surrender control to the initial marks as they immediately and permanently stain the surface. I embrace and celebrate the happenstance, employing intuitive, gestural marks that connect elements as I work my way to a conclusion. •• Color serves as emotional language and therapeutic gesture throughout my work. My paintings always begin with a singular “color experience” intention and rely on tonal atmospheres to contribute nuanced spaces for visual respite. I embrace a wide range of media, utilizing the juxtaposition of disparate materials and dimensional layering to subtly shift the perception, light reflectivity, and luminosity of the color experience. •• Above all, I hope for an experience that captivates and immerses my audience.

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